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2014.05.30 Fri, by

“Now You See: New Chinese Video Art from the Collection of Dr. Michael I. Jacobs”

“Now You See: New Chinese Video Art from the Collection of Dr. Michael I. Jacobs” has opened at the Whitebox Art Centre, New York. >> Read more
2014.05.20 Tue, by

“Now You See: New Chinese Video Art from the Collection of Dr. Michael I. Jacobs”

Whitebox Art Centre (New York) is proud to present "Now You See: New Chinese Video Art from the Collection of Dr. Michael I. Jacobs"
 
 
>> Read more
2015.08.07 Fri, by

Videoprogram young chinese artists curated by Cheng Ran in Amsterdam

Mehraneh Atashi, Alicja Bielawska, Ruta Butkute, Jake and Dinos Chapman, Paul Geelen, Nicolas Lamas, Cheng Ran >> Read more
2015.01.21 Wed, by

“Now You See Art” website launches with clips from Chinese video works

Launch of a new website extending the project of the show "Now You See" >> Read more
2021.06.19 Sat, by

Wind H Art Center Opened A New Exhibition “To Be the Better One —The Method-ology of the New Generation” Presenting A Diverse Dialogue With The New Generation

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more
2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
2019.12.03 Tue, by

Li Jingxiong X Nik Kosmas
Sifang Art Museum, Shanghai Pop-up

by Alice Gee Sifang Art Museum Shanghai pop-up (Jing’An District) 8 Nov.-8 Dec. 2019 I stand beside three large rings mounted on white platforms at equidistant intervals. Nik Kosmas is talking about 13 years ago and being 20 someplace else. ‘I’m 21!’ I blurt out. I edge back and hope one of Li Jingxiong’s tarpaulins […] >> Read more
2019.11.08 Fri, by

Art Taipei 2019 Review

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more
2019.06.26 Wed, by

2018 Contemporary Chinese Art Exhibition
Beijing Minsheng Art Museum

The 2018 Exhibition of the Annual on Contemporary Chinese art is not organized thematically, but presents a summary outlook of contemporary Chinese art in 2018, relating artistic practices, theories, exhibitions and art phenomena, etc. It is a continuation of the archival work conducted by the Chinese Modern Art Archive (CMAA) since 1986. >> Read more

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